Little Darlin’

This one’s for the love of my life. We’ve been together for 13 years (i hope I got that right!). I’ve been chastised for many years for never writing her a song. Finally i have.

She doesn’t think so, but she’s fearless. And so talented. She created the artwork I chose for this Single – made of coloured wool, pencil and black marker calligraphy.

The words are from Jarod Kintz – a poet. I’m not much into poetry but he was pretty funny and worth a read.

jarodkintz.com

I was 13 or so.. when i saw ‘When Harry Met Sally’ a great romantic comedy with the great Billy Crystal, and the other love of my life Meg Ryan… before she went weird. The soundbite at the end is from the movie. Let’s grow old together too.

WHEN HARRY MET SALLY…, Meg Ryan, Billy Crystal, 1989, (c) Columbia/courtesy Everett Collection

In the words of Mr. Kintz: ‘Love now, not later. Also, love later.’

ARCADE LURVE

The African sun is pretty unforgiving, even back in 1987 when we had an ozone layer. If I had to pedal my bike now, up the steady suburban climb to the corner shop on Broadway and Kensington I’d be a pool of sweat before I even dropped my first quarter (20 cent piece) into my favourite arcade game – Double Dragon. It’s a good thing we now have hover boards. I don’t know how we lasted this long without them.

I must have been 11 years old (maybe 12) and back then school finished up at about 2pm. Which meant that I had the better part of an afternoon to while away. Now I’m not 11 anymore, and I don’t know about you, but time sure moves a lot faster these days. It feels like dog years to me. 3 hours in adult time is about the same as 12 hours in kid time. Whatever the ratio, those hot African days I remember from my youth seemed endless.

When i think about my childhood, and it’s not often that I do, it occupies a dream like space in my mind, particularly those really early years. I wish I could access my memories like a hard drive – don’t you? I’d have a very usable and well categorised folder structure, probably by year and month. Maybe some of the folders would have a brief description as part of the name… like: ‘Strange Burning House’, or… ‘Post Box Thieves’, maybe… ‘San Lameer holidays’. These would be the standouts, the highlights. These are the ones that I’d remember well. But the ones I’d really like to recall would be labelled something like ‘1987 > December’ – just an arbitrary date. I’d be able to double-click my way through time. Wouldn’t it be amazing to get a slice of life like that, through your own childhood eyes? Through the days, weeks and months that were just ordinary, the ones that blended into each other, the ones you’ve forgotten – not appreciating just how amazing those times were. Somebody please invent that. Until then, I’ll have to rely on my fuzzy (and getting fuzzier) memories. 

Not to take anything away from memories. They ARE pretty awesome – don’t you think? The brain has this neat way of filling in the blanks for you. I can remember still frames (i think) from those pre-teen years, pov flashes, images of things and places. And the photos that I have (or had) from those days, probably taken by my mom and dad are like little beacons that connect those images and provide context. There was no such thing as a digital camera back then. We’d have to wait a week to get our 100 and 200 ISO rated film developed at the local pharmacy. That might sound like a massive inconvenience but it was actually the best thing in the world. The anticipation, delayed gratification – one of the best lessons in a 1980s world. When we did get our printed photos back, neatly stacked with the developed negatives beneath, they had that subtle tint that we probably weren’t even aware of at the time, and later emulated by convenient Instagram filters. It was the 80s tint – slightly brown, slightly orange – warm. And its that warm colour spectrum through which I seem to recall most of my 1980s childhood memories. Strange.

Where am I going with this? I never plan out these rambles… I guess where I’m going is that this song of mine, ARCADE LOVE… was written or at least imagined, before a word or a chord was recorded on paper or otherwise during one of these nostalgic fugue like trips down into the memory bank. It started as a feeling – now THAT is a great 80s lyric! But it did! It started as a collection of images – a mixture of real life memory, 80s movies, books, album covers, fashion and fantasy. One big montage collage. A stream of conscious-mess. Something like this:

hot sun – pedal bike – buddies riding ahead of me – marty mcfly – steep hill – quiet roads – big houses – cars – ditch bike – break coins for 20s – kali maa shakti de – double dragon – ghosts & goblins – bottled cokes – heeey yooouu guys! – fizzers – Greek cafe owner – getting my hair cut – wax on wax off – milo – syrup on toast – robotech – gummi bears – swimming pools – lone wolf – highway to the danger zone

I could go on, but you get the picture. I knew I wanted to write a song set in those memories – a mixture of real life and fantasy all with that warm 80s tint to tie it together. The result was ARCADE LOVE – a synth-loving, retro 80s sounding song about teenage love and the love of 80s arcade games. It’s about growing up in my home town, about that first teenage crush, a nostalgic story about childhood, endless summer days when we thought we’d be young forever. And the awesome thing about memories is that we will be young forever.

Sleep, Time, Space and Consciousness

Looking at the regularity with which I update my blog it looks like I’m bang on time with my yearly post.

For those of you with kids, i’m sure I have your empathy – for those of you without, well trust me, time and space become tradeable commodities. Much like sleep.

And although you might think the title of my new single, Time / Space, is a play on this, it actually has more to do with… er… consciousness.

Things that preoccupy me when i’m in writing mode these days tend to be a little deeper than what they used to be. I explored the subject of climate change on ‘Swallow’ and on ‘Time / Space’ I’m pre-occupied with consciousness.

So… a few questions then. Is consciousness something that transcends death? Is it analogous to a soul? Is it separate from our physical self? Is it transferrable? That is, can our consciousness inhabit another form which got me thinking about re-incarnation and the rules around that.

(all of this just reminds me that I need to read more)

So I don’t necessarily have any answers, maybe just ideas so I’ll share them.

Everyone everywhere – feel the current in the air

So we’re all made of the same matter, i think we can agree on that so in that respect we’re connected. But taking that a step further perhaps there’s a common energy that resides in and is shared by all of us. And maybe you could call that a soul.

So here’s another idea that has no foundation in science / fact, but maybe this shared energy is agnostic of its host and accumulates the notion of consciousness through experience and memory.

And maybe, when a person dies that consciousness dies with them, the energy lives on and perhaps returns to source, and maybe that source is analogous to the concept of God, or a god.

Lotta maybes. Heavy stuff.

Well that’s what i was thinking about when i started to pen lyrics to this song at 2am, knowing that i’d be woken up in 4 hours by my kids.

Faces lost faces found – carry them in the background

I don’t want to dissect this song too much, it means ‘something’ to me and I’d rather it mean something more personal to the listener. So what about the style and production…

Well, it’s a departure for me somewhat, in that it doesn’t have a bog-standard pop ‘verse – chorus – bridge’ structure, in fact it has only a single 4-chord progression throughout. I’ve varied the instrumentation to create tension/release/light/dark whatever term you want to use to distinguish one passage from another and I’ve used a lot of EDM inspired keys and samples.

A picture that’s not quite clear – a breath in the atmosphere

It started as an iPhone recording, a guitar line and a lyric/melody idea, then it became a Logic demo and after agonizing about whether i should treat it like a pop rock song, or more of an ambient electro song, it sort of turned into both. It’s taken by far the longest of any of my songs to produce, not because it was in any way complicated or intricate, although there is some intricate programming in places, but mainly because of my reluctance to deviate from my tried and trusted reliance on a traditional song structure. I did a bunch of versions with actual bridge and chorus ideas but none of which I liked. Analysis paralysis.

Eventually I settled on that four chord progression that repeats throughout. Once I’d come to terms with that (and the realisation that 90% of EDM tracks only have 3 / 4 chords throughout!) I started to relax and began to experiment with sounds. I found myself in uncharted territory and free to play around. Stripped of all my ‘go-tos’ I felt uninhibited, and just went with my gut.

It’s worth mentioning that I did do some homework. So i listened to a bunch of dance, dub, acid, electro bands I was into around the early 2000’s – Massive Attack, Prodigy, Aphex Twin, Portishead, Fatboy Slim, and some of the EDM stuff i’m into these days – mostly melodic House like David Guetta, Gryffin, Armin VB and a few others.

Can we go back to the start – you’ll find me there with a broken heart

If I have time I might do a brief video deconstructing the song into it’s parts. In the meantime take a listen – it’s available pretty much everywhere.

‘SWALLOW’ this! My new single

Swallow

I’m really proud to announce the release of my first follow up single to the 2016 album ‘Circle Spirit Geometry’ – ‘SWALLOW’.

From a technical point of view, it’s a culmination of all I’ve learnt in the 6 months or so since CSG. And I’ve learnt a lot… and you can hear it.

It represents a more mature sound, probably as the song was written in the same year it was produced! Unlike CSG which was a collection of songs dating as far back as 2010.

The sound isn’t strictly rock but rather a mix of rock, hip-pop and electronica and altogether more representative of the style of music I gravitate towards these days.

The song is about our environment, it’s about head-in-the-sand climate change deniers, some of whom preside over the most powerful countries in the world.

The dialogue in the bridge is from an impassioned speech given by an 11 yr old girl at the UN back in the 90s. You can hear it in full here. It really struck a chord with me and inspired a lot of the lyrics.

It’s available for digital download from iTunes, Amazon and most online music retailers. Or you can stream it on Spotify.

I hope you enjoy it!